Tasmanian Symphony Orchestra, Andrew Greene's 'Faust: Walpurgis Night Ballet: Danse de Phryné (Phryne's Dance)' came out on October 5, 2012. The duration of Faust: Walpurgis Night Ballet: Danse de Phryné (Phryne's Dance) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Faust: Walpurgis Night Ballet: Danse de Phryné (Phryne's Dance)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tasmanian Symphony Orchestra's "Halloween Classics" album is number 22 out of 25. Based on our statistics, Faust: Walpurgis Night Ballet: Danse de Phryné (Phryne's Dance)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Faust: Walpurgis Night Ballet: Danse de Phryné (Phryne's Dance) by Tasmanian Symphony Orchestra, Andrew Greene to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F Major, Hob. XVII:9 | Joseph Haydn, Xavier De Maistre | C Major | 2 | 8B | 66 BPM | ||
Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon | Johann Pachelbel, János Rolla, Franz Liszt Chamber Orchestra | E Minor | 4 | 9A | 172 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
3 Compositions, Op. 40: No. 2, Berceuse | Amy Beach, Rachel Barton Pine, Matthew Hagle | D Major | 0 | 10B | 87 BPM | ||
Clarinet Concerto in A Major, K. 622: Clarinet Concerto in A Major, K. 622/II. Adagio | Wolfgang Amadeus Mozart, Martin Fröst, Swedish Chamber Orchestra | D Major | 0 | 10B | 78 BPM | ||
I Dreamed a Dream (from "Les Misérables") | Claude-Michel Schönberg, Herbert Kretzmer, Jean-Marc Natel, Alain Boublil, Lucy Maunder, Guy Noble, Tasmanian Symphony Orchestra | B♭ Major | 1 | 6B | 71 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM |
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