Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür's 'Grand Overture in E-Flat Major, Op. 18, No. 1, W. C26: I. Allegro spiritoso' came out on December 6, 1995. With this song being about 5 minutes long, at 5:10, "Grand Overture in E-Flat Major, Op. 18, No. 1, W. C26: I. Allegro spiritoso" by Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 19 in Bach, J.C.: Sinfonias, Vol. 4 by Johann Christian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Grand Overture in E-Flat Major, Op. 18, No. 1, W. C26: I. Allegro spiritoso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Grand Overture in E-Flat Major, Op. 18, No. 1, W. C26: I. Allegro spiritoso by Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | ||
Symphony No. 50 in D Minor, Op. 10, No. 5: I. Allegro non tanto | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Minor | 2 | 7A | 76 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
Magnificat a 4, W.E 22: I. Magnificat | Johann Christian Bach, Joanne Lunn, Concerto Köln, Süddeutscher Kammerchor, Gerhard Jenemann | B Major | 2 | 1B | 100 BPM | ||
Sinfonia in B-Flat Major, Badley Bb1: III. Vivace | Leopold Hofmann, Northern Chamber Orchestra, Nicholas Ward | F Major | 1 | 7B | 130 BPM | ||
Keyboard Sonata in D Major, Op. 25, No. 6: II. Un poco andante | Muzio Clementi, Donatella Failoni | D Major | 1 | 10B | 140 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 90 BPM |
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