"Dors mon enfant" by Richard Wagner - Composer, Antonia Bourvé, Nadine Schuster was released on November 28, 2014. The duration of Dors mon enfant is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Dors mon enfant's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Meinem Kinder: Wiegenlieder Aus Aller Welt" album is number 22 out of 28. Dors mon enfant is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dors mon enfant by Richard Wagner - Composer, Antonia Bourvé, Nadine Schuster to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amore e morte | Stephanie Puchalla | E♭ Major | 2 | 5B | 65 BPM | ||
An das Meer | Max Reger, Otto Franz Gensichen, Lunds Studentsångare, Christian Schultze | E Major | 1 | 12B | 69 BPM | ||
I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Le Sable du Sablier: II. Fête | Claude Arrieu, Marielou Jacquard, Flore Merlin | B Minor | 2 | 10A | 79 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
Misa a Buenos Aires "Misatango": Agnus Dei | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | C Major | 1 | 8B | 82 BPM | ||
Thus the Ever Grateful Spring (Spring) | Henry Purcell, Sjaella | B♭ Minor | 1 | 3A | 69 BPM | ||
Missa Popularis: II. Gloria | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 2 | 7B | 129 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM |
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