"A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62: Es mindig is ejjel lesz mar… (Henceforth all shall be darkness…) (Bluebeard)" by Béla Bartók, Katalin Kasza, Gyorgy Melis, Hungarian Radio and Television Chorus, Budapest Philharmonic Orchestra, Janos Ferencsik was released on November 1, 2014. With A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62: Es mindig is ejjel lesz mar… (Henceforth all shall be darkness…) (Bluebeard) being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 14 in Bartók: Bluebeard's Castle by Béla Bartók, Janos Ferencsik. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62: Es mindig is ejjel lesz mar… (Henceforth all shall be darkness…) (Bluebeard) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Kekszakallu herceg vara (Bluebeard's Castle), Op. 11, BB 62: Es mindig is ejjel lesz mar… (Henceforth all shall be darkness…) (Bluebeard) by Béla Bartók, Katalin Kasza, Gyorgy Melis, Hungarian Radio and Television Chorus, Budapest Philharmonic Orchestra, Janos Ferencsik is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Dance Suite, Sz 77: VI. Finale. Allegro | Béla Bartók, Alain Planès | A Minor | 2 | 8A | 67 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM |
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