- BPM
- 182
- Key
- D Major
- Camelot
- 10B
La Bayadere, Act II: 34. "Coda" - Evergreen Symphony Orchestra, Kevin Galiè Information
- Acousticness
- 86%
- Danceability
- 34%
- Energy
- 19%
- Instrumentalness
- 36%
- Liveness
- 8%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 24%
- Popularity
- 19%
- Loudness
- -20.984 dB
Summary
Evergreen Symphony Orchestra, Kevin Galiè's 'La Bayadere, Act II: 34. "Coda"' came out on February 26, 2018. The duration of La Bayadere, Act II: 34. "Coda" is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. La Bayadere, Act II: 34. "Coda"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 6 out of 53. The popularity of La Bayadere, Act II: 34. "Coda" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Bayadere, Act II: 34. "Coda" BPM
We consider the tempo marking of La Bayadere, Act II: 34. "Coda" by Evergreen Symphony Orchestra, Kevin Galiè to be Presto (very, very fast) because the track has a tempo of 182 BPM, a half-time of 91BPM, and a double-time of 364 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
La Bayadere, Act II: 34. "Coda" Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | |
 | Symphony No. 4: II. Andante poco adagio | Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss | B♭ Major | 1 | 6B | 85 BPM | |
 | Khovanshchina: Vorspiel zum ersten Aufzug: Morgendämmerung über der Moskwa | Modest Mussorgsky, Karl Anton Rickenbacher | F♯ Major | 0 | 2B | 78 BPM | |
 | Raymonda, Act III: Pas Classique Hongrois | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Minor | 0 | 4A | 139 BPM | |
 | Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | |
 | Act 1: III. The Street Wakens | Sergei Prokofiev, Oslo Philharmonic Orchestra, Vasily Petrenko | D Major | 0 | 10B | 126 BPM | |
 | Louisa's Polka (orch. I. Krejci) | Bedřich Smetana, Slovak Radio Symphony Orchestra, Robert Stankovsky | E♭ Major | 0 | 5B | 85 BPM | |
 | Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | |
 | Romeo and Juliet, Op. 64 - Act 1: Masks | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 84 BPM | |
 | Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5798990726470947
End: 0.5853104591369629