Franz Joseph Haydn, English Chamber Orchestra, Jeffrey Tate's 'Haydn: Symphony No. 96 in D Major, Hob. I:96 "Miracle": I. Adagio - Allegro' came out on 1992. Since Haydn: Symphony No. 96 in D Major, Hob. I:96 "Miracle": I. Adagio - Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in English Chamber Orchestra, Jeffrey Tate's "Haydn: Symphony No.96 in D 'Miracle'" album is number 1 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Haydn: Symphony No. 96 in D Major, Hob. I:96 "Miracle": I. Adagio - Allegro's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haydn: Symphony No. 96 in D Major, Hob. I:96 "Miracle": I. Adagio - Allegro by Franz Joseph Haydn, English Chamber Orchestra, Jeffrey Tate to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto In B Flat: 3. Rondo (Allegro) | Luigi Boccherini, Jian Wang, Camerata Salzburg | B♭ Major | 1 | 6B | 137 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In the Hall of the Mountain King | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | A Major | 1 | 11B | 119 BPM | ||
Gloria in D, R.589: Adagio - Allegro: Gratias agimus tibi | Antonio Vivaldi, Olga Hegedus, Rodney Slatford, John Constable, John Alldis Choir, English Chamber Orchestra, Vittorio Negri | E Major | 4 | 12B | 88 BPM | ||
String Quintet in E-Flat Major, Op. 97 'The American': II. Allegro vivo | Antonín Dvořák, Krzysztof Chorzelski | B Major | 1 | 1B | 143 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Concerto for Viola and Orchestra in G Major: I. Largo | Georg Philipp Telemann, Capella Istropolitana, Paul Kantschieder | E♭ Major | 2 | 5B | 111 BPM | ||
Piano Concerto No. 1 In B Flat Minor, Op. 23, TH.55: 2. Andantino semplice - Prestissimo - Tempo I | Pyotr Ilyich Tchaikovsky, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | A♭ Major | 0 | 4B | 69 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi Adagio | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Minor | 0 | 1A | 165 BPM | ||
Cello Sonata in G Major, G. 5: II. Largo | Luigi Boccherini, Christian Benda, Sebastian Benda | G Major | 1 | 9B | 182 BPM | ||
ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM |
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