Fabritio Caroso, Filpo Ribeiro, Michio O'Hara made "Spagnoletta (Arr. for Harpsichord & Fiddle)" available on May 21, 2021. The duration of Spagnoletta (Arr. for Harpsichord & Fiddle) is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Spagnoletta (Arr. for Harpsichord & Fiddle)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "O som que passa o mar: Imigração de instrumento musical". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Japan. Spagnoletta (Arr. for Harpsichord & Fiddle) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Spagnoletta (Arr. for Harpsichord & Fiddle) by Fabritio Caroso, Filpo Ribeiro, Michio O'Hara having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nobiltà di Dame: No. 3, Laura suave Saltarello e Canario | Fabritio Caroso, Collegium Flauto Dolce, Jiri Kotouč, Eva Matejková | C Major | 2 | 8B | 77 BPM | ||
Recercadas del Trattado de Glosas: Recercada segunda sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 114 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
Almaine | Richard Dering, Trinity Baroque, The Forbury Consort, The Holbein Consort, Alan Crumpler, Martin Pope, Steven Player, Julian Podger | G Major | 0 | 9B | 133 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Canario | Fabritio Caroso, Domenico Cerasani, Massimo Lonardi | F Major | 1 | 7B | 117 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | ||
Gaillarde | Valentin Haussmann, Ulsamer Collegium, Josef Ulsamer | D Minor | 1 | 7A | 176 BPM | ||
Orchésographie: Pavane 'Belle qui tiens ma vie' (Gaillarde) 'La Traditore my fa morire' (Gaillarde) 'Anthoinette' (Gaillarde) 'J'aymerois mieulx dormir seulette' (La volte) | Thoinot Arbeau, Ensemble Clément Janequin, Dominique Visse | B♭ Major | 1 | 6B | 119 BPM |
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