"Magnificat" by Thomas Appleby, Pip Warwick, Sacha Willans, Connor Devonish, Thomas Dixon, William Prior, Lewis Spring, Richard Douglas, Charles Hodgkiss, Sebastian Hill, Christopher Murphy, Benjamin Watkins, The Choir of Magdalen College, Oxford, Mark Williams was released on October 23, 2020. Magnificat appears to be safe for all ages as it is not explicit. There are a total of 16 in the song's album "Sing, Precious Music". In this album, this song's track order is #6. Based on our statistics, Magnificat's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Magnificat by Thomas Appleby, Pip Warwick, Sacha Willans, Connor Devonish, Thomas Dixon, William Prior, Lewis Spring, Richard Douglas, Charles Hodgkiss, Sebastian Hill, Christopher Murphy, Benjamin Watkins, The Choir of Magdalen College, Oxford, Mark Williams having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in D Major, Op. 86, B. 153: VI. Agnus Dei | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 137 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Mass No. 2 in E Minor, WAB 27: Gloria | Anton Bruckner, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln, Marcus Creed | C Major | 0 | 8B | 75 BPM | ||
Guerrero: Trahe me post te | A5 Vocal Ensemble, Francisco Guerrero | B Major | 1 | 1B | 65 BPM | ||
3 Latin Motets, Op. 38: I. Justorum animae | Charles Villiers Stanford, The Choir Of Trinity College, Cambridge, Stephen Layton | G Major | 1 | 9B | 81 BPM | ||
Ave Regina Coelorum | Philip Stopford, Truro Cathedral Choir, Christopher Gray | B♭ Major | 0 | 6B | 74 BPM | ||
Befiehl dem Engel, daß er komm, BuxWV 10 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | A Major | 1 | 11B | 88 BPM | ||
Serenade of the Celestials | LeoRoads | E Major | 1 | 12B | 117 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Spirit of God | Komitas, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 177 BPM | ||
Cantiones sacræ, Op. 4, SWV 53-93: No. 6, Psalm Domine, ne in furore tuo arguas me, SWV 85 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM |
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