"Etude d'exécution transcendante S.139 : N°3 en fa majeur "Paysage" - Remasterisé en 2011 - Multi channel" by Franz Liszt, György Cziffra was released on March 9, 2012. With this song being about 5 minutes long, at 5:19, "Etude d'exécution transcendante S.139 : N°3 en fa majeur "Paysage" - Remasterisé en 2011 - Multi channel" by Franz Liszt, György Cziffra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, György Cziffra's "Liszt: Etudes D'Execution Transcendante [2011 - Remaster] (2011 Remastered Version)" album is number 3 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Etude d'exécution transcendante S.139 : N°3 en fa majeur "Paysage" - Remasterisé en 2011 - Multi channel is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Etude d'exécution transcendante S.139 : N°3 en fa majeur "Paysage" - Remasterisé en 2011 - Multi channel by Franz Liszt, György Cziffra to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Impromptu No. 2 in F-Sharp Major, Op. 36 | Frédéric Chopin, György Cziffra | F♯ Major | 0 | 2B | 96 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Sound Wealth | Bonn Classical Philharmonic | D Minor | 0 | 7A | 138 BPM | ||
브람스 : Waltz In A-Flat Major | Five Sense | A♭ Major | 1 | 4B | 92 BPM | ||
Satie: La belle excentrique: No. 1, Grande ritournelle (Piano 4-Hands Version) | Erik Satie, Aldo Ciccolini/Gabriel Tacchino | G Minor | 5 | 6A | 135 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 36 in E Major, Op. 67, No. 6 | Felix Mendelssohn, Péter Nagy | E Major | 0 | 12B | 188 BPM | ||
Gavotte From French Suite No.5 in G major, BWV.816 | Various Artists | B♭ Major | 3 | 6B | 189 BPM | ||
19 Hungarian Rhapsodies, S. 244: No. 6 in D-Flat Major | Franz Liszt, Lang Lang | D♭ Major | 2 | 3B | 124 BPM |
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