"Schumann: Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso" by Robert Schumann, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra was released on August 24, 2007. Schumann: Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Schumann Concerto, Mozart Concerto No 24". In this album, this song's track order is #4. In terms of popularity, Schumann: Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso by Robert Schumann, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. Piano) | Gabriel Fauré, Alan Feinberg | F Minor | 2 | 4A | 134 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major: Andante | Franz Schubert, Krystian Zimerman | F♯ Major | 0 | 2B | 61 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, André Previn, London Symphony Orchestra | F Minor | 0 | 4A | 57 BPM | ||
Nocturne No.7 In C Sharp Minor, Op.27 No.1 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | A Major | 0 | 11B | 73 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Symphony No. 5, "The Reformation", Op. 107: II. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | B♭ Major | 0 | 6B | 104 BPM | ||
Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 3. Adagio | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Major | 1 | 11B | 96 BPM |
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