François Couperin, William Christie, Sophie Daneman, Les Arts Florissants's 'Couperin, F: Première leçon de ténèbres pour le Mercredi saint: I. Incipit lamentio' came out on January 1, 1997. With Couperin, F: Première leçon de ténèbres pour le Mercredi saint: I. Incipit lamentio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 22 in Couperin : Leçons de Ténèbres by François Couperin, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Couperin, F: Première leçon de ténèbres pour le Mercredi saint: I. Incipit lamentio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Couperin, F: Première leçon de ténèbres pour le Mercredi saint: I. Incipit lamentio by François Couperin, William Christie, Sophie Daneman, Les Arts Florissants is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Goûts-réunis ou nouveaux-suite: I. Gravement | François Couperin, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Minor | 0 | 12A | 84 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 21, Rezitativ. "Gleich öffnet sich der Erde Schoss" (Raphael) | Joseph Haydn, William Christie, Dietrich Henschel, Les Arts Florissants | B♭ Major | 4 | 6B | 116 BPM | ||
Membra Jesu nostri, BuxWV 75: IVb. Ad latus: Salve latus Salvatoris | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 2, L'enjoüement | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 5. Arie. Fecit potentiam in bracchio suo (B) | Carl Philipp Emanuel Bach, Markus Eiche, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | A♭ Major | 2 | 4B | 166 BPM | ||
Ach bleib bei uns, Herr Jesu Christ | Johann Michael Bach, Vox Luminis, Lionel Meunier, Zsuzsi Tóth, Daniel Elgersma, Philippe Froeliger | B♭ Major | 1 | 6B | 77 BPM | ||
Les Nations - Premier Ordre - La Françoise; 2. Allemande | Jordi Savall, François Couperin | E♭ Minor | 2 | 2A | 119 BPM | ||
Les Indes galantes, Prologue, Scène 4 - Scène 5: "Pour remplacer les cœurs" (Hébé) - "Ranimez vos flambeaux" (L'Amour, Hébé, Suite d'Hébé) | Jean-Philippe Rameau, Claron McFadden, Isabelle Poulenard, Les Arts Florissants, William Christie | F♯ Major | 1 | 2B | 102 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM |
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