Traditional, Daniel Alomía Robles, John Williams made "El Cóndor Pasa (Arr. J. Morel for Guitar)" available on 2005. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "The Ultimate Guitar Collection". In this album, this song's track order is #15. In terms of popularity, El Cóndor Pasa (Arr. J. Morel for Guitar) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With El Cóndor Pasa (Arr. J. Morel for Guitar) by Traditional, Daniel Alomía Robles, John Williams having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Now is the month of Maying | Thomas Morley, Michael Metzler, Amarcord | A Minor | 1 | 8A | 121 BPM | ||
Eg Veit I Himmerik Ei Borg (I Know A Stronghold In Heaven) | Traditional, Trio Mediæval | D Minor | 0 | 7A | 96 BPM | ||
Salve Regina - Solemn Tone | Beatus Choral Ensemble | E Major | 1 | 12B | 127 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
The Hymn for the Day | The Choir of the Dormition Church of the Novodevichy Convent | D♭ Major | 3 | 3B | 0 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Lord Have Mercy | The Russian State Symphony Cappella | E♭ Minor | 2 | 2A | 78 BPM | ||
Marianne (arr. P. Wilby) | Philip Wilby, Traditional, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E Major | 0 | 12B | 76 BPM | ||
Great Ektenia | The Russian State Symphony Cappella | B♭ Major | 2 | 6B | 72 BPM |
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