"Bach: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Nigel Kennedy, English Chamber Orchestra, Paul Barritt was released on October 4, 1999. With this song being about 5 minutes long, at 5:23, "Bach: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Nigel Kennedy, English Chamber Orchestra, Paul Barritt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 20 in Classic Kennedy by Nigel Kennedy. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air by Johann Sebastian Bach, Nigel Kennedy, English Chamber Orchestra, Paul Barritt is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) | Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | F Major | 1 | 7B | 79 BPM | ||
The Mission: The Falls | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | G Major | 2 | 9B | 158 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Concerto for Violin and Oboe in C Minor, BWV 1060R (Version for Two Violins): III. Allegro | Johann Sebastian Bach, Amsterdam Sinfonietta, Simone Lamsma, Candida Thompson | B♭ Minor | 0 | 3A | 82 BPM | ||
Violin Concerto in E Major, Op. 8, No. 1, RV 269 "La primavera": 1. Allegro | Australian Brandenburg Orchestra, Paul Dyer, Elizabeth Wallfisch | E♭ Major | 1 | 5B | 102 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion) | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | D Minor | 2 | 7A | 142 BPM | ||
Brandenburg Concerto No. 3 In G Major, BWV 1048: III. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | G Major | 6 | 9B | 125 BPM | ||
MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: I. MOLTO ALLEGRO | Jeffrey Tate | G Minor | 2 | 6A | 105 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | E♭ Major | 1 | 5B | 91 BPM |
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