"Messe solennelle, Op. 16: I. Kyrie" by Louis Vierne, James O'Donnell, Andrew Reid, Joseph Cullen, Westminster Cathedral Choir was released on February 1, 1997. Messe solennelle, Op. 16: I. Kyrie is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. This song is part of Vierne, Widor & Dupré: Choral Music by Westminster Cathedral Choir, Louis Vierne, James O'Donnell, Marcel Dupré, Charles-Marie Widor. The song's track number on the album is #1 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Messe solennelle, Op. 16: I. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messe solennelle, Op. 16: I. Kyrie by Louis Vierne, James O'Donnell, Andrew Reid, Joseph Cullen, Westminster Cathedral Choir has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Messe solennelle, Op. 16: I. Kyrie being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Nachtlied, Op. 138, No. 3 | Max Reger, Windsbacher Knabenchor, Martin Lehmann | B Minor | 0 | 10A | 69 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Lieder ohne Worte, Op. 102: No. 3 Presto (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 4 | 8B | 78 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 78 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM |
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