"Piano Concerto No. 21 in C Major, K. 467: II. Andante" by Wolfgang Amadeus Mozart, Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1975. Since Piano Concerto No. 21 in C Major, K. 467: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado's "Mozart: Piano Concertos Nos. 20 & 21" album is number 5 out of 6. On top of that, Germany appears to be the country where this track was created. Piano Concerto No. 21 in C Major, K. 467: II. Andante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 21 in C Major, K. 467: II. Andante by Wolfgang Amadeus Mozart, Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII - Andante cantabile | Sergei Rachmaninoff, Daniel Harding, Wiener Philharmoniker, Igor Levit | D♭ Major | 1 | 3B | 183 BPM | ||
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Jean-Yves Thibaudet, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 1 | 3B | 87 BPM | ||
Orpheus-Quadrille, Op. 236 | Johann Strauss II, Georges Prêtre, Wiener Philharmoniker | G Major | 6 | 9B | 109 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Wiener Philharmoniker, Karl Böhm | D Major | 5 | 10B | 116 BPM | ||
Bach, J.S.: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, David Fray, Deutsche Kammerphilharmonie Bremen | A♭ Major | 0 | 4B | 110 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Minor | 1 | 5A | 82 BPM | ||
Im Krapfenwald'l, Op. 336 | Johann Strauss II, Carlos Kleiber, Wiener Philharmoniker | E♭ Major | 2 | 5B | 102 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
The Seasons, Op. 37a, TH 135: No. 6 in G Minor, June. Barcarolle | Pyotr Ilyich Tchaikovsky, Nikolai Lugansky | G Minor | 0 | 6A | 170 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM |
Section: 0.6534876823425293
End: 0.6573994159698486