A.R.Gurney, Valorie Armstrong, David Dukes, Judith Ivey, David Hyde Pierce made "Chapter 20 - Later Life" available on March 1, 1995. The duration of Chapter 20 - Later Life is about 3 minutes long, at 3:00. Based on our data, "Chapter 20 - Later Life" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in A.R.Gurney's "Later Life" album is number 20 out of 25. On top of that, Germany appears to be the country where this track was created. Chapter 20 - Later Life is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Chapter 20 - Later Life by A.R.Gurney, Valorie Armstrong, David Dukes, Judith Ivey, David Hyde Pierce to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Romances, Op. 14: No. 11, Spring Waters | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
IPV 14: Hai Luli | Pauline Viardot, Sivan Goldman, Shira Shaked | G Minor | 2 | 6A | 138 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
Bernstein - I hate music!: I hate music! | Leonard Bernstein, Barbara Bonney, Malcolm Martineau | E Minor | 1 | 9A | 77 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
Puts: The Hours, Act 1: "There's the Scowl" (Virginia, Leonard, Chorus) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Metropolitan Opera Chorus, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
4 Lieder, Op. 2: No. 1, Erwartung | Arnold Schoenberg, Claire Booth, Christopher Glynn | D Major | 0 | 10B | 66 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: I see not those false spirits | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Aquel Sombrero de Monte | Fernando Obradors, Pilar Lorengar, Miguel Zanetti | F Major | 0 | 7B | 84 BPM |
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