"Adagio and Rondo in C Minor, K. 617 (arr. A. Wurtzler): Adagio" by Wolfgang Amadeus Mozart, Aristid Von Würtzler, Sylvia Kowalczuk, Hungarian Virtuosi was released on July 15, 2014. With this song being about 5 minutes long, at 4:47, "Adagio and Rondo in C Minor, K. 617 (arr. A. Wurtzler): Adagio" by Wolfgang Amadeus Mozart, Aristid Von Würtzler, Sylvia Kowalczuk, Hungarian Virtuosi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi: Lute Concerto in D Major (Arr. for Harp) / Grandjany: Rhapsodie by Aristid Von Würtzler, Sylvia Kowalczuk. The song's track number on the album is #5 out of 14 tracks. Adagio and Rondo in C Minor, K. 617 (arr. A. Wurtzler): Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Adagio and Rondo in C Minor, K. 617 (arr. A. Wurtzler): Adagio by Wolfgang Amadeus Mozart, Aristid Von Würtzler, Sylvia Kowalczuk, Hungarian Virtuosi has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Adagio and Rondo in C Minor, K. 617 (arr. A. Wurtzler): Adagio being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: III. Allegro assai | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 3 in F Major, RV 293, "L'Autunno". I. Allegro | Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra | F Major | 1 | 7B | 118 BPM | ||
Sonata for two pianos KV448 in D Major, Andante | Wolfgang Amadeus Mozart, Alfred Brendel, Walter Klien, Paul Angerer, Vienna State Opera Orchestra | G Major | 1 | 9B | 118 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM |
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