"Troisième Leçon du Vendredy: I. Incipit oratio" by Michel Richard Delalande, Sophie Karthäuser, Sébastien Daucé, Ensemble Correspondances was released on March 9, 2015. With Troisième Leçon du Vendredy: I. Incipit oratio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé, Sophie Karthäuser's "Lalande: Leçons de Ténèbres" album is number 33 out of 44. The popularity of Troisième Leçon du Vendredy: I. Incipit oratio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Troisième Leçon du Vendredy: I. Incipit oratio by Michel Richard Delalande, Sophie Karthäuser, Sébastien Daucé, Ensemble Correspondances to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Gott Hilf Mir, BuxWV 34: Concerto "Israel, hoffe auf den Herren" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 1: "Vieni Imeneo" | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | A Minor | 0 | 8A | 95 BPM | ||
Symphony in F Major: II. Andante - III. Presto | Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 | E Major | 1 | 12B | 182 BPM | ||
Beatus vir qui timet in F Major: VI. Gloria | Leonardo Leo, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | E Major | 1 | 12B | 93 BPM | ||
18 Sonatas, Op. 2: No. 1, La Cornara | Giovanni Legrenzi, Harmonia Urbis, Marco Silvi | A♭ Minor | 1 | 1A | 116 BPM | ||
Troisième Caprice: Air | Michel Richard Delalande, Jürgen Groß, Elbipolis Barockorchester Hamburg | D♭ Minor | 4 | 12A | 124 BPM | ||
Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
Euridice: Sinfonia | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano | G Major | 2 | 9B | 79 BPM |
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