Maria Biesu made "Pe langa plopii fara sot" available on May 20, 2021. The duration of Pe langa plopii fara sot is about 3 minutes long, at 3:05. Based on our data, "Pe langa plopii fara sot" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 10 in Classic Eastern European Pop Vol. 1 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Pe langa plopii fara sot's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Pe langa plopii fara sot by Maria Biesu is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Dhabitude | Fanny Hearst | G Major | 1 | 9B | 70 BPM | ||
Toni | Stephanie Puchalla | A Minor | 0 | 8A | 89 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 4, Wasserrose | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Les Berceaux, Op. 23 No. 1 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
Mondnacht | Γιάννη Yang | D♭ Major | 4 | 3B | 72 BPM | ||
20. Coro: Ihr Augen weint | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | C Major | 1 | 8B | 130 BPM | ||
Ave Maria sur la Méditation de Thaïs: A tempo "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir, Violin Solo and Orchestra) | Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Giovanni Battista Fabris, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Armide, LWV 71, Act V Scene 2: Passacaille | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F♯ Minor | 2 | 11A | 71 BPM |
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