"Estampes für Klavier, L. 100: No. 2, La soirée dans Grenade" by Manfred Reuthe had its release date on February 27, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Manfred Reuthe's "Manfred Reuthe - Klavier Solo I" album is number 14 out of 16. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Estampes für Klavier, L. 100: No. 2, La soirée dans Grenade's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Estampes für Klavier, L. 100: No. 2, La soirée dans Grenade by Manfred Reuthe to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ich ruf zu dir, Herr Jesu Christ, BWV 639 | Johann Sebastian Bach, Alfred Brendel | F Minor | 0 | 4A | 90 BPM | ||
Sonata in F Minor, K. 466 | Domenico Scarlatti, Prisca Benoit | C Major | 0 | 8B | 204 BPM | ||
Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | E Major | 0 | 12B | 173 BPM | ||
Hungarian Melody in B Minor, D.817 | Franz Schubert, Alfred Brendel | E Minor | 0 | 9A | 81 BPM | ||
Klaviersonate in E Minor, Op. 7: IV. Finale. Molto allegro | Manfred Reuthe | G Major | 2 | 9B | 116 BPM | ||
Trio in E-Flat Major, D. 929: II. Andante con moto | Franz Schubert, Isaac Stern, Leonard Rose, Eugene Istomin | C Minor | 0 | 5A | 101 BPM | ||
Upon Arrival | Dominique Pauwels | C Minor | 0 | 5A | 70 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: III. Allegro vivace assai | Wolfgang Amadeus Mozart, Haiou Zhang, Heidelberg Symphony Orchestra, Thomas Fey | G Major | 7 | 9B | 110 BPM | ||
Rameau: Nouvelles suites de pièces de clavecin, Suite en la, RCT 5: VII. Gavotte et six doubles | Jean-Philippe Rameau, Alexandre Tharaud | C Major | 2 | 8B | 125 BPM |