"Missa l'homme armé super voces musicales: I. Kyrie" by Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire was released on November 7, 2006. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus's "Josquin Desprez, Vol. 2" album is number 8 out of 54. Based on our statistics, Missa l'homme armé super voces musicales: I. Kyrie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa l'homme armé super voces musicales: I. Kyrie by Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
De profundis, "Psalm 129" | Josquin des Prez, Bremen Weser-Renaissance, Manfred Cordes | A Minor | 2 | 8A | 134 BPM | ||
Magnificat & Nunc Dimittis: Nunc Dimittis | Piers Connor Kennedy, Choir of St. John's College, Cambridge, George Herbert, Andrew Nethsingha | G Major | 1 | 9B | 84 BPM | ||
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM | ||
A vous, douce debonnaire (Rondeau) W! | Jehan de Lescurel, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 0 | 3B | 136 BPM | ||
Christ Has Risen (2) | Mark Powell, Cappella Romana, Alexander Lingas | A Minor | 3 | 8A | 93 BPM | ||
Frogg Galliard | Hopkinson Smith, John Dowland | G Major | 2 | 9B | 119 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Adoramus a sei voci | Claudio Monteverdi, Ensemble Vocal Européen de La Chapelle Royale, Philippe Herreweghe | E Major | 2 | 12B | 66 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM |
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