Franz Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer made "Symphony No. 26 in D Minor, "Lamentatione": I. Allegro assai con spirito" available on April 1, 2006. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer's "Haydn: Name Symphonies" album is number 17 out of 124. On top of that, Netherlands appears to be the country where this track was created. The popularity of Symphony No. 26 in D Minor, "Lamentatione": I. Allegro assai con spirito is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Symphony No. 26 in D Minor, "Lamentatione": I. Allegro assai con spirito by Franz Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor No. 3 sol mineur: Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Quatuor à Cordes Jean-Noël Molard, Jean-Pierre Lacour, Jacques Watelle, Robert Duval | G Major | 1 | 9B | 80 BPM | ||
Symphony No. 17 in F Major, Hob. I:17: II. Andante, ma non troppo | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | F Minor | 0 | 4A | 94 BPM | ||
L'Amant anonyme, Act II Scene 5: Ballet (3) | Joseph Bologne Chevalier de Saint-Georges, Haymarket Opera Company, Craig Trompeter | B Minor | 1 | 10A | 103 BPM | ||
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Symphony in E-Flat Major: II. Allegretto | Ernst Wilhelm Wolf, Franz Liszt Chamber Orchestra, Weimar, Nicolás Pasquet | B♭ Major | 0 | 6B | 93 BPM | ||
Symphony in G Major, Eisen G8: II. Andante | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | G Minor | 0 | 6A | 111 BPM | ||
Symphony in D Major, Op. 3, No. 2: I. Presto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | A Major | 1 | 11B | 83 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
String Quartet No.8 in F, KV.168 III.Menuetto | Gunther Hasselmann | F Major | 0 | 7B | 143 BPM |
Section: 0.5664267539978027
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