""Oh! s'io potessi dissipar le nubi... Col sorriso d'innocenza" (Mad Scene) - 1987 Rematered" by Vincenzo Bellini, Montserrat Caballé, Carlo Felice Cillario was released on 1965. "Oh! s'io potessi dissipar le nubi... Col sorriso d'innocenza" (Mad Scene) - 1987 Rematered appears to be safe for all ages as it is not explicit. There are a total of 26 in the song's album "The Essential Montserrat Caballé [International Version]". In this album, this song's track order is #11. "Oh! s'io potessi dissipar le nubi... Col sorriso d'innocenza" (Mad Scene) - 1987 Rematered is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With "Oh! s'io potessi dissipar le nubi... Col sorriso d'innocenza" (Mad Scene) - 1987 Rematered by Vincenzo Bellini, Montserrat Caballé, Carlo Felice Cillario having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM | ||
Carmen, WD 31 / Act 1: Bizet: Carmen, WD 31: Près des remparts de Séville | Georges Bizet, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | D Major | 0 | 10B | 175 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Deh! proteggimi, o Dio!" | Vincenzo Bellini, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | D♭ Major | 0 | 3B | 95 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Le Cid (1997 Digital Remaster): De cet affreux combat....Pleurez, mes yeux | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | B Minor | 1 | 10A | 83 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
"Depuis le jour" | Gustave Charpentier, Anna Netrebko | G Major | 1 | 9B | 87 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 2: "Perfido! - Or basti...Vanne, sì: mi lascia, indegno " | Vincenzo Bellini, Cecilia Bartoli, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | D Major | 5 | 10B | 84 BPM | ||
Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM |
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