"Der König in Thule, Op. 5, No. 5, D. 367 (arr. for voice and guitar)" by Anonymous, Franz Schubert, Ian Bostridge, Xuefei Yang was released on September 9, 2016. The duration of Der König in Thule, Op. 5, No. 5, D. 367 (arr. for voice and guitar) is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Der König in Thule, Op. 5, No. 5, D. 367 (arr. for voice and guitar)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Songs from Our Ancestors". In this album, this song's track order is #11. Der König in Thule, Op. 5, No. 5, D. 367 (arr. for voice and guitar) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der König in Thule, Op. 5, No. 5, D. 367 (arr. for voice and guitar) by Anonymous, Franz Schubert, Ian Bostridge, Xuefei Yang having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe de Notre-Dame: X. Agnus Dei | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | F♯ Major | 1 | 2B | 87 BPM | ||
Tempo Della Glora E Della Vita. Sequenza: Victimae Paschali Laudes | Canonici Regolari Si Sant'Antimo | E Minor | 0 | 9A | 92 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Traditor Autem - Benedictus - Antifona - Cantico | Anonymous, Coro De Monjes Del Monasterio De Silos, Francisco Lara | E Minor | 1 | 9A | 95 BPM | ||
Mass for the Nativity of the Virgin: XII. Benedicamus "Domino à deux voix" | Léonin, Ensemble Organum, Marcel Pérès | D♭ Major | 2 | 3B | 70 BPM | ||
Dans la joie de Pâques : Antienne Vidi Aquam | Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan, Congrégation de Solesme | F♯ Major | 1 | 2B | 132 BPM | ||
Veni creator spiritus. Himno (Modo VIII) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
Ubi caritas et amor Antiphona (Gründonnerstag) | Choir Of St. Abuscus | C Major | 1 | 8B | 114 BPM |
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