"Variations on a Nursery Song, Op. 25: Var. 5 (Più mosso)" by Ernst von Dohnányi, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult was released on 1954. With Variations on a Nursery Song, Op. 25: Var. 5 (Più mosso) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Rachmaninoff: Rhapsody on a theme of Paganini [1954]; Dohnányi: Variations on a Nursery Song [1954] (Adrian Boult – The Decca Legacy III, Vol. 11)". In this album, this song's track order is #31. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Variations on a Nursery Song, Op. 25: Var. 5 (Più mosso)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Variations on a Nursery Song, Op. 25: Var. 5 (Più mosso) by Ernst von Dohnányi, Julius Katchen, London Philharmonic Orchestra, Sir Adrian Boult having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Great Dramatic Sonata "Titus et Bérénice" for Cello and Piano: IV. Allegro molto movimento | Rita Strohl, Sandra Lied Haga, Katya Apekisheva | C Minor | 2 | 5A | 100 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: II. Romance | Unknown, John O'Conor, Scottish Chamber Orchestra, Sir Charles Mackerras | B♭ Major | 0 | 6B | 84 BPM | ||
Franck: Cello Sonata in A Major: III. Recitativo - Fantasia | César Franck, Daniel Müller-Schott/Robert Kulek | F♯ Minor | 0 | 11A | 133 BPM | ||
Frosoblomster (Froso-Flowers), Book 2: No. 1. Solhesning (Salute to the Sun) | Wilhelm Peterson-Berger, Niklas Sivelov | C Major | 1 | 8B | 108 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": III. Andante | Antonín Dvořák, Smetana Trio | F Minor | 1 | 4A | 85 BPM | ||
15 Preludes: No. 3. Allegretto con spirito | Nino Rota, Gabriele Baldocci | F Minor | 4 | 4A | 128 BPM | ||
Relâche, Pt. 1: No. 3, Entrée de la femme | Erik Satie, Ronald Corp, New London Orchestra | D Minor | 2 | 7A | 131 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
Suite in the Olden Style, Op. 24: II. Allemande | Ernst von Dohnányi, Sofja Gülbadamova | C Major | 3 | 8B | 110 BPM | ||
Sargent Rag | Remersaro Trío | A♭ Major | 3 | 4B | 145 BPM |
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