Pomp and Circumstance, Op. 39: March No. 1 in D Major - Edward Elgar, David Parry, London Philharmonic Orchestra Information

Acousticness: 69%
Danceability: 27%
Energy: 43%
Instrumentalness: 76%
Liveness: 7%
Loudness: 81%
Speechiness: 4%
Valence: 32%
Popularity: 2%
Loudness: -11.61 dB

Summary

Edward Elgar, David Parry, London Philharmonic Orchestra's 'Pomp and Circumstance, Op. 39: March No. 1 in D Major' came out on February 1, 2020. Pomp and Circumstance, Op. 39: March No. 1 in D Major is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The song is number 50 out of 50 in Classical Music by Various Artists. Based on our statistics, Pomp and Circumstance, Op. 39: March No. 1 in D Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pomp and Circumstance, Op. 39: March No. 1 in D Major BPM

The tempo marking of Pomp and Circumstance, Op. 39: March No. 1 in D Major by Edward Elgar, David Parry, London Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Pomp and Circumstance, Op. 39: March No. 1 in D Major Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Music Makers, Op. 69: II. We Are the music makers	Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright	B♭ Minor	0	3A	79 BPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924	Janos Sebestyen, Johann Sebastian Bach	C Major	2	8B	139 BPM
Capriol Suite: 2. Pavane	Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner	B♭ Major	0	6B	160 BPM
Nocturne-serenade, Op. 45	Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo	B♭ Major	0	6B	108 BPM
Carmen Suite No. 1: 3. Intermezzo	Georges Bizet, Orchestre de Paris, Semyon Bychkov	B♭ Major	0	6B	74 BPM
Swan Lake Suite, Op. 20a: II. Waltz	Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Gustavo Dudamel	A Major	1	11B	103 BPM
The Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus Deus	Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence	D Major	0	10B	85 BPM
Symphony No.3 in F, Op.90: 3. Poco allegretto	Johannes Brahms, Cleveland Orchestra, Lorin Maazel	C Minor	0	5A	75 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale	Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung	E Major	2	12B	78 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6578953266143799

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