H.M.S. Pinafore / Act 1: When I was a lad - Arthur Sullivan, The D'Oyly Carte Opera Company, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey Information

Acousticness: 77%
Danceability: 62%
Energy: 19%
Instrumentalness: 0%
Liveness: 56%
Loudness: 68%
Speechiness: 37%
Valence: 20%
Popularity: 17%
Loudness: -18.915 dB

Summary

Arthur Sullivan, The D'Oyly Carte Opera Company, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey's 'H.M.S. Pinafore / Act 1: When I was a lad' came out on January 1, 1959. Since H.M.S. Pinafore / Act 1: When I was a lad is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Isidore Godfrey's "Gilbert & Sullivan: H.M.S.Pinafore" album is number 12 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, H.M.S. Pinafore / Act 1: When I was a lad is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.

H.M.S. Pinafore / Act 1: When I was a lad BPM

We consider the tempo marking of H.M.S. Pinafore / Act 1: When I was a lad by Arthur Sullivan, The D'Oyly Carte Opera Company, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

H.M.S. Pinafore / Act 1: When I was a lad Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Elgar: Pomp and Circumstance March No. 1 in D Major (Land of Hope and Glory)	Edward Elgar, London Philharmonic Orchestra, Andrew Davis	D Major	5	10B	119 BPM
41. I am a courtier grave and serious	Arthur Sullivan, Jennifer Toye, Gillian Knight, Thomas Round, Alan Styler, John Reed, The New Symphony Orchestra Of London, Isidore Godfrey	D Major	0	10B	119 BPM
The Mikado / Act 1: 11. So Please You, Sir, We Much Regret	Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash	D Major	3	10B	116 BPM
Guadalcanal March	Robert Russell Bennett	F Major	5	7B	132 BPM
Elgar : 5 Pomp And Circumstance Marches : No.1 in D major [Land of Hope and Glory]	Edward Elgar, Last Night Of The Proms - The 100th Season, Andrew Davis, BBC Symphony Orchestra	D Major	4	10B	126 BPM
Oklahoma! / Finale: Oh, What A Beautiful Mornin' - Reprise	Rodgers & Hammerstein	A Major	4	11B	76 BPM
3. For the merriest fellows are we	Arthur Sullivan, Michael Wakeham, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey	C Major	1	8B	88 BPM
Iolanthe	Gilbert & Sullivan, The D'Oyly Carte Opera Company, Isidore Godfrey	G Major	3	9B	89 BPM
My Love Is Like a Red, Red Rose	Kenneth McKellar	D♭ Major	1	3B	89 BPM
America The Beautiful	Carmen Dragon, The Capitol Symphony Orchestra	F♯ Major	3	2B	142 BPM

ISRC: GBF075940712
Label: L-M Records/RCA Records

Section: 0.45898890495300293

End: 0.46392822265625