"Piano Concerto No. 22 in E-Flat Major, K. 482: I. Allegro" by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra was released on 1976. Piano Concerto No. 22 in E-Flat Major, K. 482: I. Allegro appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart: The Complete Piano Concertos" album is number 4 out of 83. On top of that, United States appears to be the country where this track was created. Based on our statistics, Piano Concerto No. 22 in E-Flat Major, K. 482: I. Allegro's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 22 in E-Flat Major, K. 482: I. Allegro by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto No. 2 in E Major, BWV 1053: I. [Allegro] | Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields | D♭ Minor | 3 | 12A | 91 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Piano Concerto No. 19 in F Major, K. 459: III. Allegro assai | Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra | F Major | 1 | 7B | 77 BPM | ||
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai | Johann Sebastian Bach, Itzhak Perlman, Daniel Barenboim, English Chamber Orchestra | A Minor | 3 | 8A | 109 BPM | ||
Mazurka No.5 in B Flat, Op.7 No.1 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 1 | 6B | 115 BPM | ||
Concerto For 2 Pianos And Orchestra (No.10) In E Flat, K.365: 1. Allegro | Wolfgang Amadeus Mozart, Lucas Jussen, Arthur Jussen, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 132 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegro marziale animato | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | E♭ Major | 2 | 5B | 80 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Sonata in D Major, L 164 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM |
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