Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields made "Keyboard Concerto No. 2 in E Major, BWV 1053: I. [Allegro]" available on 1971. Since Keyboard Concerto No. 2 in E Major, BWV 1053: I. [Allegro] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Murray Perahia Plays Bach Concertos" album is number 4 out of 30. In terms of popularity, Keyboard Concerto No. 2 in E Major, BWV 1053: I. [Allegro] is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Keyboard Concerto No. 2 in E Major, BWV 1053: I. [Allegro] by Johann Sebastian Bach, Murray Perahia, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in G Minor, BWV 822: VII. Menuet III (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 115 BPM | ||
Violin Sonata No. 3 in C Major, BWV 1005: I. Adagio | Johann Sebastian Bach, Hilary Hahn | C Major | 1 | 8B | 90 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Piano Quartet in E-Flat Major, Op. 47: IV. Finale (Vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. — | Johann Sebastian Bach, Sir Neville Marriner, Anthony Jenkins, Charles Medlam, Denis Vigay, John Constable, Raymund Koster, Stephen Shingles, William Hunt, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 168 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM |
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