Claude Gervaise, Pierre Attaingnant, La Compagnie Maitre Guillaume, Sophie Rousseau, Pascale Boquet, Béatrice Delpierre, Henri Agnel, Jean-Noël Catrice, Frederic Martin, Carles Mas I Garcia made "Branles de Poitou N6, 5ème Livre de danceries" available on 1995. The duration of Branles de Poitou N6, 5ème Livre de danceries is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Branles de Poitou N6, 5ème Livre de danceries's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in La Compagnie Maitre Guillaume, Sophie Rousseau, Pascale Boquet's "Musiques à danser de la Renaissance francaise" album is number 2 out of 25. In terms of popularity, Branles de Poitou N6, 5ème Livre de danceries is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Branles de Poitou N6, 5ème Livre de danceries by Claude Gervaise, Pierre Attaingnant, La Compagnie Maitre Guillaume, Sophie Rousseau, Pascale Boquet, Béatrice Delpierre, Henri Agnel, Jean-Noël Catrice, Frederic Martin, Carles Mas I Garcia to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite de branles de Champagne | Claude Gervaise, Pierrick Lemou | C Major | 3 | 8B | 94 BPM | ||
Daphne | John Playford, Ensemble Buon tempo | E Major | 1 | 12B | 107 BPM | ||
Sing we and chaunt it | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | D♭ Minor | 2 | 12A | 107 BPM | ||
Calata ala spagnola | Joan Ambrosio Dalza, Munir Beken, August Denhard | F Major | 1 | 7B | 99 BPM | ||
Canzon la Gentile | Giovanni Paolo Cima, Harmonia Recorder Ensemble | C Major | 0 | 8B | 70 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Airs à deux parties: Sarabande. "Le digne objet pour qui mon coeur soupire" | Joseph Chabanceau de La Barre, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Prelude, P. 98 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
I. Branle De Champagne | Claude Gervaise, Lucie Guerra Žáková | A Minor | 2 | 8A | 102 BPM |
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