"Psalm 94 "O Lord God, to Whom Vengeance Belongeth"" by James Turle, Hereford Cathedral Choir, Geraint Bowen, Roy Massey was released on January 11, 1989. With this song being about 5 minutes long, at 5:26, "Psalm 94 "O Lord God, to Whom Vengeance Belongeth"" by James Turle, Hereford Cathedral Choir, Geraint Bowen, Roy Massey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Psalms of David, Vol. 1: Hear My Prayer O Lord". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Psalm 94 "O Lord God, to Whom Vengeance Belongeth"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 94 "O Lord God, to Whom Vengeance Belongeth" by James Turle, Hereford Cathedral Choir, Geraint Bowen, Roy Massey having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 58 "Are Your Minds Set upon Righteousness?" | Joseph Barnby, Lichfield Cathedral Choir, Mark Shepherd, Jonathan Rees-Williams | B♭ Major | 1 | 6B | 97 BPM | ||
My Queen Most Blessed | Archangel Voices | E Major | 0 | 12B | 136 BPM | ||
On My Heart Imprint Thine Image SHZ 100 | Laestadian Lutheran Church | E♭ Major | 1 | 5B | 82 BPM | ||
Psalm 42/43: Like as the hart desireth the water-brooks | T. Rogers, The Choir Of Westminster Abbey, Martin Neary | E Major | 1 | 12B | 79 BPM | ||
Psalm 42 & Psalm 43 | James Turle, Choir of King's College, Cambridge, Sir David Willcocks | E Major | 1 | 12B | 134 BPM | ||
To God Be The Glory | The Daily Service Singers | A♭ Major | 3 | 4B | 78 BPM | ||
Psalm 73 "Truly God Is Loving unto Israel" | Luke Flintoft, Lichfield Cathedral Choir, Mark Shepherd, Jonathan Rees-Williams | F Major | 0 | 7B | 74 BPM | ||
Missa si Deus pro nobis, a 16 voci: V. Gloria | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 2 | 8B | 69 BPM | ||
The Crucifixion: Hymn: The Adoration of the Crucified | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | E♭ Major | 1 | 5B | 80 BPM | ||
All Hail to Thee, O Virgin Bright | Dominican House of Studies | A Major | 2 | 11B | 75 BPM |
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