Max Bruch, Kent Nagano, Orchestre de l'Opéra de Lyon made "Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: III. Allegro molto" available on March 16, 2018. Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: III. Allegro molto is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. This song is part of Viola Legend - The Erato Years by Gérard Caussé. The song's track number on the album is #28 out of 168 tracks. Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: III. Allegro molto is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: III. Allegro molto by Max Bruch, Kent Nagano, Orchestre de l'Opéra de Lyon has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bruch: Concerto for Clarinet and Viola in E Minor, Op. 88: III. Allegro molto being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Wagner - Tannhäuser: Pilgrim's Chorus, S443/R276 | Franz Liszt, William Wolfram | B♭ Major | 2 | 6B | 67 BPM | ||
Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: III. Andante sostenuto | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | A♭ Major | 2 | 4B | 93 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM |
Section: 0.606743335723877
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