Geoffrey Bush, John Ireland, Royal Ballet Sinfonia, Gavin Sutherland's 'A Downland Suite (completed by G. Bush): I. Prelude' came out on June 20, 2006. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 19 out of 22 in English String Miniatures, Vol. 5 by Royal Ballet Sinfonia. Based on our statistics, A Downland Suite (completed by G. Bush): I. Prelude's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Downland Suite (completed by G. Bush): I. Prelude by Geoffrey Bush, John Ireland, Royal Ballet Sinfonia, Gavin Sutherland is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Orchestral Suite No. 4, Op. 61, TH 34 "Mozartiana": III. Preghiera | Pyotr Ilyich Tchaikovsky, Sinfonieorchester Aachen, Christopher Ward | D Major | 5 | 10B | 140 BPM | ||
Serenade for Strings in E Major, Op. 22: I. Moderato | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Petr Nouzovský, Stanislav Vavřínek | D Major | 9 | 10B | 167 BPM | ||
Trio for Piano, Oboe and Bassoon: III. Rondo | Francis Poulenc, Céline Moinet, Florian Uhlig, Sophie Dervaux | F♯ Major | 0 | 2B | 71 BPM | ||
Wind Quintet: I. Comodo | Geoffrey Bush, Neil Black, William Bennett, Thea King, Robin O'Neill, Frank Lloyd | D Minor | 0 | 7A | 129 BPM | ||
"Kol Nidrei" Adagio for Cello and Orchestra, Op. 47: I. Adagio ma non troppo | Max Bruch, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 2 | 7B | 117 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Natus est Immanuel | Geoffrey Bush, Northern Chamber Orchestra, Nicholas Ward | E Major | 0 | 12B | 92 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: III. Allegro assai | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 123 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, Musica Aeterna | B Minor | 1 | 10A | 100 BPM |
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