"Trio for Piano, Oboe and Bassoon: III. Rondo" by Francis Poulenc, Céline Moinet, Florian Uhlig, Sophie Dervaux was released on March 25, 2022. The duration of Trio for Piano, Oboe and Bassoon: III. Rondo is about 3 minutes long, at 3:27. Based on our data, "Trio for Piano, Oboe and Bassoon: III. Rondo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Céline Moinet, Florian Uhlig's "Lumière" album is number 12 out of 17. On top of that, Germany appears to be the country where this track was created. Trio for Piano, Oboe and Bassoon: III. Rondo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trio for Piano, Oboe and Bassoon: III. Rondo by Francis Poulenc, Céline Moinet, Florian Uhlig, Sophie Dervaux to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. 12: No. 1, Petite ballade | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | E Minor | 0 | 9A | 90 BPM | ||
Arabesque No. 1, Op. 61 | Cécile Chaminade, Mark Viner | G Major | 0 | 9B | 126 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B♭ Major | 1 | 6B | 96 BPM | ||
3 Intermezzi, Op. 117: No. 1, Andante moderato | Johannes Brahms, Hélène Grimaud | E♭ Major | 0 | 5B | 138 BPM | ||
Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM | ||
Gloria, FP 144: 3. Domine Deus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 130 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Piano Quintet No. 1 in D Minor, Op. 89: I. Molto moderato | Gabriel Fauré, Cristina Ortiz, Fine Arts Quartet | E Major | 0 | 12B | 82 BPM | ||
Miroirs, M. 43: No. 3, Une barque sur l'océan | Maurice Ravel, Bruce Liu | F♯ Minor | 1 | 11A | 71 BPM |
Section: 0.6759898662567139
End: 0.6814210414886475