"4 Lieder, Op. 27: 1. Ruhe, meine Seele!" by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur was released on June 11, 2021. With this song being about 5 minutes long, at 4:30, "4 Lieder, Op. 27: 1. Ruhe, meine Seele!" by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 75 in the song's album "Richard Strauss". In this album, this song's track order is #65. In terms of popularity, 4 Lieder, Op. 27: 1. Ruhe, meine Seele! is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Lieder, Op. 27: 1. Ruhe, meine Seele! by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Ariadne auf Naxos, Op. 60, TrV 228a: Circe, Circe, kannst du mich hören? (Live) | Richard Strauss, Johan Botha, Soile Isokoski, Valentina Naforniță, Rachel Frenkel, Olga Bezsmertna, Vienna State Opera Orchestra, Christian Thielemann | C Minor | 2 | 5A | 103 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Arabella, Op. 79, TrV 263, Act I: Aber der Richtige, wenn's einen gibt (Live) | Richard Strauss, Viorica Ursuleac, Trude Eipperle, Vienna State Opera Orchestra, Clemens Krauss | E Major | 3 | 12B | 71 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM |
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