Friedrich Silcher, Andreas Weller, Götz Payer's 'So nimm denn meine Hände (Arr. Payer)' came out on March 1, 2012. The duration of So nimm denn meine Hände (Arr. Payer) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. So nimm denn meine Hände (Arr. Payer)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 89 in Aus meines Herzens Grunde (Großdruck) by Ruth Sandhoff, Sarah Wegener, Marion Eckstein, Andreas Weller, Klaus Mertens, Thilo Dahlmann, Kay Johannsen, Götz Payer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. So nimm denn meine Hände (Arr. Payer) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of So nimm denn meine Hände (Arr. Payer) by Friedrich Silcher, Andreas Weller, Götz Payer is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Widow (Die lustige Witwe) / Act 1: Wenn Beifall dieser Abend findet | Franz Lehár, Benno Kusche, Günter Kallmann Chor | G Major | 4 | 9B | 117 BPM | ||
Wer hat dich, du schöner Wald, aufgebaut so hoch da droben | Der Montanara Chor | E♭ Major | 2 | 5B | 112 BPM | ||
Wer nur den lieben Gott lässt walten | Georg Neumark, Johann Sebastian Bach, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | A Minor | 0 | 8A | 77 BPM | ||
Misatango, Misa a Buenos Aires: III. Gloria | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 82 BPM | ||
Der Wassermann | Robert Schumann, Chamber Choir Sireen | F♯ Minor | 0 | 11A | 130 BPM | ||
Der Mai ist gekommen | Uschi Glas, Friedrich Silcher, Emanuel Geibel | D Major | 3 | 10B | 96 BPM | ||
Lockung | Fanny Mendelssohn, Kammerchor der Universität Dortmund, Willi Gundlach | B Major | 1 | 1B | 108 BPM | ||
Fanfare (Lemmens) | Arturo Sacchetti | D Major | 3 | 10B | 104 BPM | ||
Das Lied der Bayerrn (Gott mit dir, du Land der Bayern) | Sepp Viellechner mit Chor und Orchester Pauls Schmotz | B♭ Major | 4 | 6B | 89 BPM | ||
Elijah, Op. 70, MWV A 25: No. 28, Hebe deine Augen | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 125 BPM |
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