"The Hours - The Hours - Arr. for cello and piano by Bruno Fontaine: The poet acts" by Philip Glass, Henri Demarquette, Vanessa Benelli Mosell was released on August 16, 2022. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philip Glass, Michael Nyman, Arvo Pärt's "Minimalism: Summer Nights" album is number 98 out of 102. On top of that, France appears to be the country where this track was created. Based on our statistics, The Hours - The Hours - Arr. for cello and piano by Bruno Fontaine: The poet acts's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Hours - The Hours - Arr. for cello and piano by Bruno Fontaine: The poet acts by Philip Glass, Henri Demarquette, Vanessa Benelli Mosell to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Talking to my Father | Hauschka | A Minor | 0 | 8A | 126 BPM | ||
Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Preludes: La colombe (The Dove) | Olivier Messiaen, Håkon Austbø | F♯ Minor | 0 | 11A | 135 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Burying the Book | Philip Glass, Paul Leonard-Morgan | F Major | 2 | 7B | 84 BPM | ||
Van Gogh Theme (Just Piano) III | Tatiana Lisovskaya, Paul Cantelon | D Minor | 0 | 7A | 70 BPM | ||
Opening | Philip Glass, Bruce Brubaker | C Minor | 0 | 5A | 77 BPM | ||
Preludium c-moll | Hania Rani, Dobrawa Czocher | C Minor | 0 | 5A | 98 BPM |
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