"Tristan und Isolde, WWV 90: Prelude" by Richard Wagner, Staatskapelle Dresden, Carlos Kleiber was released on May 8, 2020. Tristan und Isolde, WWV 90: Prelude appears to be safe for all ages as it is not explicit. This song is part of Wagner: Essentiel by Richard Wagner. The song's track number on the album is #11 out of 25 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Tristan und Isolde, WWV 90: Prelude is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde, WWV 90: Prelude by Richard Wagner, Staatskapelle Dresden, Carlos Kleiber has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Tristan und Isolde, WWV 90: Prelude being at 113 BPM, the half-time would be 56 BPM with a double-time of 226 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Finlandia, Op. 26 | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM | ||
Finlandia, Op.26, No.7: Andante sostenuto - Allegro moderato - Allegro | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A♭ Major | 2 | 4B | 71 BPM | ||
Faust, CG 4, Faust, Act I: Cavatina. Avant de quitter ces lieux | Charles Gounod, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 101 BPM | ||
Symphony No. 3 in D Minor: Part 1, I. Langsam. Schwer | Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic | D Major | 0 | 10B | 106 BPM | ||
Lohengrin, Act III: Wedding March - Arr. For Organ | Bertalan Hock, Richard Wagner | B♭ Major | 0 | 6B | 133 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 1: "Veni creator spiritus" - Live | Gustav Mahler, Philadelphia Orchestra, Yannick Nézet-Séguin, Westminster Symphonic Choir, The Choral Arts Society Of Washington, Joe Miller, Scott Tucker | E♭ Major | 4 | 5B | 124 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Rossini: Il Barbiere di Siviglia: Overture | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 2 | 12B | 88 BPM |
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