Sinfonia for 8 Voices and Orchestra: II. O King - Luciano Berio, Gothenburg Symphony Orchestra, Peter Eötvös, London Voices Information

Acousticness: 99%
Danceability: 16%
Energy: 1%
Instrumentalness: 95%
Liveness: 8%
Loudness: 44%
Speechiness: 3%
Valence: 3%
Popularity: 8%
Loudness: -33.886 dB

Summary

"Sinfonia for 8 Voices and Orchestra: II. O King" by Luciano Berio, Gothenburg Symphony Orchestra, Peter Eötvös, London Voices was released on January 1, 2005. With this song being about 5 minutes long, at 4:43, "Sinfonia for 8 Voices and Orchestra: II. O King" by Luciano Berio, Gothenburg Symphony Orchestra, Peter Eötvös, London Voices is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 6 in Berio: Sinfonia by Luciano Berio, Gothenburg Symphony Orchestra, Peter Eötvös. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sinfonia for 8 Voices and Orchestra: II. O King is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sinfonia for 8 Voices and Orchestra: II. O King BPM

The tempo marking of Sinfonia for 8 Voices and Orchestra: II. O King by Luciano Berio, Gothenburg Symphony Orchestra, Peter Eötvös, London Voices is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Sinfonia for 8 Voices and Orchestra: II. O King Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Adagio in F, H.XVII No.9	Franz Joseph Haydn, Alfred Brendel	F Major	0	7B	71 BPM
Nocturne No. 2 in C Minor, H.25	John Field, Elizabeth Joy Roe	C Minor	1	5A	80 BPM
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point"	Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham	E♭ Major	0	5B	90 BPM
String Quartet No. 1 in D Minor: III. Adagio	Nancy Dalberg, Nordic String Quartet, Heiðrun Petersen, Mads Haugsted Hansen, Daniel Eklund, Lea Emilie Brøndal	G Minor	0	6A	104 BPM
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto	Gustav Mahler, Alexandre Tharaud	F Major	0	7B	71 BPM
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile	Federico Mompou, Daniil Trifonov	A Major	0	11B	66 BPM
Württemberg Sonatas / Sonata No. 4 in B-Flat Major, H. 32: II. Andante	Carl Philipp Emanuel Bach, Keith Jarrett	G Minor	1	6A	206 BPM
Bagatelles I-XIII: Bagatelle III	Valentin Silvestrov, Hélène Grimaud	C Minor	0	5A	94 BPM
Cries of London: 2. Where are ye fair maids	Luciano Berio, Les Cris De Paris, Geoffroy Jourdain, Lucile Richardot	G Major	2	9B	127 BPM
Kinderszenen, Op. 15: No. 7, Träumerei	Robert Schumann, Zhu Xiao-Mei	F Major	0	7B	65 BPM

ISRC: DEN960401232
Label: L-M Records/RCA Records

Section: 0.7690982818603516

End: 0.7722735404968262