"Three Shakespeare Songs: No. 3, Over Hill, Over Dale" by Ralph Vaughan Williams, Tenebrae, Nigel Short was released on September 30, 2016. With Three Shakespeare Songs: No. 3, Over Hill, Over Dale being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Tenebrae, Nigel Short's "Music of the Spheres: Part Songs of the British Isles" album is number 8 out of 20. Three Shakespeare Songs: No. 3, Over Hill, Over Dale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Shakespeare Songs: No. 3, Over Hill, Over Dale by Ralph Vaughan Williams, Tenebrae, Nigel Short to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jesu, the Very Thought of Thee | Edward Bairstow, York Minster Choir, Philip Moore | E♭ Major | 0 | 5B | 78 BPM | ||
Rejoice in the Lamb, Op. 30: Hallelujah from the heart of God | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 111 BPM | ||
Faire is the Heaven | William Henry Harris, Tenebrae | D♭ Major | 1 | 3B | 136 BPM | ||
Miserere mei, Deus | Philippe de Monte, Collegium Vocale Gent, Philippe Herreweghe | F Minor | 2 | 4A | 85 BPM | ||
Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM | ||
Christus resurgens | Peter Philips, Sarum Consort, Andrew Mackay | B Major | 1 | 1B | 97 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Lamentations Ieremiae Prophetae: Iod III | Alonso Lobo, Tenebrae, Nigel Short | D Major | 2 | 10B | 128 BPM | ||
Vaughan Williams: Symphony No. 6 in E Minor: IV. Epilogue. Moderato | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | E Major | 1 | 12B | 87 BPM | ||
2 Choral songs, Op. 73: No. 2. Serenade | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM |
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