"Giordani / Transcr. Jacques: Caro mio ben (Formerly Attributed to Tommaso Giordani)" by Giuseppe Giordani, Philippe Jaroussky, Thibaut García was released on October 8, 2021. The duration of Giordani / Transcr. Jacques: Caro mio ben (Formerly Attributed to Tommaso Giordani) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Giordani / Transcr. Jacques: Caro mio ben (Formerly Attributed to Tommaso Giordani)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in À sa guitare, so we believe that "Giordani / Transcr. Jacques: Caro mio ben (Formerly Attributed to Tommaso Giordani)" is a single. In terms of popularity, Giordani / Transcr. Jacques: Caro mio ben (Formerly Attributed to Tommaso Giordani) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Giordani / Transcr. Jacques: Caro mio ben (Formerly Attributed to Tommaso Giordani) by Giuseppe Giordani, Philippe Jaroussky, Thibaut García is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Semiramide regina dell'Assiria: Come nave in ria tempesta | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D Major | 4 | 10B | 138 BPM | ||
Hasse: La clemenza di Tito: "Se mai senti" (Sextus) | Johann Adolf Hasse, Philippe Jaroussky, Emmanuelle Haïm, Le Concert d'Astrée | D♭ Major | 0 | 3B | 86 BPM | ||
Handel: Ode for the Birthday of Queen Anne, HWV 74: "Eternal Source of Light Divine" | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Purcell / Arr. Pluhar: Oedipus, Z. 583: No. 2, Song. "Music for a While" | Henry Purcell, Christina Pluhar, L'Arpeggiata | F Minor | 0 | 4A | 137 BPM | ||
Vinci: Artaserse: I. Allegro | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | D♭ Major | 5 | 3B | 137 BPM | ||
Anonymous / Foggia: O quam clemens et pia, a 2 | Anonymus, Francesco Foggia, Philippe Jaroussky, Jean Tubéry | D Minor | 0 | 7A | 69 BPM | ||
Rossi / Arr. Pluhar: Che più far degg’io | Luigi Rossi, Christina Pluhar, Céline Scheen, Valer Sabadus | E Minor | 1 | 9A | 102 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 2: "Oblivion soave" (Arnalta) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Christina Pluhar | D Major | 0 | 10B | 118 BPM | ||
Granados / Transcr. Garcia: 12 Tonadillas en estilo antiguo: No. 5, El mirar de la maja | Enrique Granados, Philippe Jaroussky, Thibaut García | E Minor | 0 | 9A | 102 BPM | ||
Dowland / Transcr. Garcia: A Musicall Banquet: No. 3, In Darkness Let Me Dwell | John Dowland, Philippe Jaroussky, Thibaut García | G Minor | 0 | 6A | 59 BPM |
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