"Hasse: La clemenza di Tito: "Se mai senti" (Sextus)" by Johann Adolf Hasse, Philippe Jaroussky, Emmanuelle Haïm, Le Concert d'Astrée was released on November 5, 2007. Since Hasse: La clemenza di Tito: "Se mai senti" (Sextus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 12 in Carestini: A Castrato's Story by Philippe Jaroussky, Le Choeur d'Astrée. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Hasse: La clemenza di Tito: "Se mai senti" (Sextus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hasse: La clemenza di Tito: "Se mai senti" (Sextus) by Johann Adolf Hasse, Philippe Jaroussky, Emmanuelle Haïm, Le Concert d'Astrée is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
De profundis, LWV 62: De profundis | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | C Major | 2 | 8B | 97 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 6. Duett. Deposuit potentes de sede (A, T) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | B Major | 1 | 1B | 135 BPM | ||
Dixit Dominus, ZWV 66: Dixit Dominus - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Major | 3 | 2B | 115 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
L'incoronazione di Poppea, SV 308 / Act II: Adagiati, Poppea - Oblivion soave | Claudio Monteverdi, Bernarda Fink, English Baroque Soloists, John Eliot Gardiner | G Minor | 0 | 6A | 106 BPM | ||
Paride ed Elena, Wq. 39: Oh, del mio dolce ardor | Christoph Willibald Gluck, Valer Sabadus, Alessandro De Marchi | F♯ Minor | 1 | 11A | 75 BPM | ||
Stabat Mater: Quis est homo qui non fleret…. Quis non posset | Agostino Steffani, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis | G Minor | 1 | 6A | 77 BPM | ||
Concerto in C Major, H.117, Op. 7: I. Francese Presto | Francesco Geminiani, Café Zimmermann | B Major | 3 | 1B | 112 BPM |
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