"Sonata In E Minor For Violin And Continuo: Largo" by Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin was released on January 1, 2006. The duration of Sonata In E Minor For Violin And Continuo: Largo is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Sonata In E Minor For Violin And Continuo: Largo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Per Monsieur Pisendel - Six Virtuoso Violin Sonatas Of The Baroque". In this album, this song's track order is #16. Sonata In E Minor For Violin And Continuo: Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata In E Minor For Violin And Continuo: Largo by Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: IV. Allegro | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Introduzione teatrale op. 4 no. 2: Allegro | Pietro Locatelli, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 1 | 1B | 81 BPM | ||
Concerto for 2 Recorders in A Minor, TWV 52:a2: IV. Vivement | Georg Philipp Telemann, Michael Schneider, Martin Hublow, La Stagione Frankfurt | A♭ Minor | 3 | 1A | 101 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 79 BPM | ||
Sonata for Violin Solo in A Minor, JunP IV.2: II. Allegro | Johann Georg Pisendel, Rachel Podger | B Major | 0 | 1B | 109 BPM | ||
Sonata in B-flat Major, No. 2: II. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 1 | 11B | 105 BPM | ||
Symphony in E-Flat Major, W. I/10: II. Andante assai | Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | C Minor | 1 | 5A | 171 BPM | ||
Concerto Il Proteo ò il Mondo al Roverscio for violin, cello, 2 flutes, 2 oboes, harpsichord, strings & continuo in F Major, RV 572: I. Allegro | Antonio Vivaldi, La Serenissima, Adrian Chandler | F Major | 4 | 7B | 111 BPM | ||
Cantata No. 42, BWV 42 "Am Abend aber desselbigen Sabbats": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | D♭ Major | 2 | 3B | 120 BPM |
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