Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks made "Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 9, —" available on January 1, 2016. Since Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 9, — is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Peter Kiesewetter, Heinz Rühmann's "Kiesewetter: Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble)" album is number 6 out of 25. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 9, —'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 9, — by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herbst, D. 945 - Arr. for Cello & Piano by Trey Lee | Franz Schubert, Trey Lee, Georgy Tchaidze, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Solemn Moment | John Harry Cacavas | G Major | 3 | 9B | 150 BPM | ||
Verdi: Rigoletto, Act 3: "La donna è mobile" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
Renaissance Concerto: IV. Jouissance | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
La jolie fille de Gand: Scene 4 | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 134 BPM | ||
Kapitel 7 - Folge 15: Der Freischütz | Gruselkabinett, Marius Claren, Luise Helm, Jochen Schröder, Johann August Apel | G Major | 6 | 9B | 127 BPM | ||
踊る人形 | Ede Poldini, Sir Charles Groves, フィルハーモニア管弦楽団 | D Major | 1 | 10B | 87 BPM | ||
Guerra e pace (Film Music Suite): Valzer | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 1 | 10B | 132 BPM | ||
I vespri siciliani / The Four Seasons: I. Winter (Transcr. Luigi Pecchia for Strings and Piano) | Giuseppe Verdi, I Musici, Francesco Buccarella | G Major | 1 | 9B | 144 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 2, — | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM |
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