"Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 2, —" by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks was released on January 1, 2016. Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 2, — is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The track order of this song in Peter Kiesewetter, Heinz Rühmann's "Kiesewetter: Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble)" album is number 4 out of 25. On top of that, Germany appears to be the country where this track was created. Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 2, — is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 2, — by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks to be Grave (very slow) because the track has a tempo of 38 BPM, a half-time of 19BPM, and a double-time of 76 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot, SC 91, Act III: Nessun dorma! | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 1 | 10B | 135 BPM | ||
Jesus of Nazareth - Epic Orchestral Version | Stavros Kleisiaris | E Minor | 1 | 9A | 140 BPM | ||
La Bohème, SC 6, Act IV: Sono andati? | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 82 BPM | ||
String Quartet N 20 Mov 1 Mazurka Version 2 | Luca Schettino | C Minor | 2 | 5A | 150 BPM | ||
Concert Waltzes | Carl Maria von Weber, Alexander Glazunov, Johannes Brahms, Hector Berlioz, Erich Kunzel, Cincinnati Pops Orchestra | D Major | 1 | 10B | 182 BPM | ||
Magyar gyermek- és népdalok: No. 3, Tavaszi szél | Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi | C Major | 0 | 8B | 145 BPM | ||
天使のセレナード | レディス・オーケストラ・ジャパン | D Major | 2 | 10B | 65 BPM | ||
The Wand of Youth, Suite No. 1, Op. 1a: II. Serenade - 2023 Remastered Version | Edward Elgar, Sir Adrian Boult, London Philharmonic Orchestra | G Major | 3 | 9B | 75 BPM | ||
Madama Butterfly, SC 74, Act I: Vogliatemi bene | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F♯ Minor | 4 | 11A | 80 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso II | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | F Minor | 1 | 4A | 102 BPM |
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