Die Frau ohne Schatten, Op. 65, TrV 234, Act III: Act III: Auf, geh nach oben, Mann, der Weg ist frei! (Stimmen von oben, Frau, Geisterbote, Chorus)
Richard Strauss, Katharina Magiera, Frankfurter Opern- und Museumsorchester, Sabine Hogrefe, Chor der Oper Frankfurt, Dietrich Volle, Sebastian Weigle
R. Strauss: Die Frau ohne Schatten, Op. 65, TrV 234
4:57 October 2, 2015
BPM
87
Key
A♭ Major
Camelot
4B

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Die Frau ohne Schatten, Op. 65, TrV 234, Act III: Act III: Auf, geh nach oben, Mann, der Weg ist frei! (Stimmen von oben, Frau, Geisterbote, Chorus) - Richard Strauss, Katharina Magiera, Frankfurter Opern- und Museumsorchester, Sabine Hogrefe, Chor der Oper Frankfurt, Dietrich Volle, Sebastian Weigle Information

Acousticness
27%
Danceability
11%
Energy
8%
Instrumentalness
28%
Liveness
13%
Loudness
55%
Speechiness
4%
Valence
5%
Popularity
Loudness
-26.85 dB

Summary

"Die Frau ohne Schatten, Op. 65, TrV 234, Act III: Act III: Auf, geh nach oben, Mann, der Weg ist frei! (Stimmen von oben, Frau, Geisterbote, Chorus)" by Richard Strauss, Katharina Magiera, Frankfurter Opern- und Museumsorchester, Sabine Hogrefe, Chor der Oper Frankfurt, Dietrich Volle, Sebastian Weigle had its release date on October 2, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 43 in the song's album "R. Strauss: Die Frau ohne Schatten, Op. 65, TrV 234". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Die Frau ohne Schatten, Op. 65, TrV 234, Act III: Act III: Auf, geh nach oben, Mann, der Weg ist frei! (Stimmen von oben, Frau, Geisterbote, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Frau ohne Schatten, Op. 65, TrV 234, Act III: Act III: Auf, geh nach oben, Mann, der Weg ist frei! (Stimmen von oben, Frau, Geisterbote, Chorus) BPM

With Die Frau ohne Schatten, Op. 65, TrV 234, Act III: Act III: Auf, geh nach oben, Mann, der Weg ist frei! (Stimmen von oben, Frau, Geisterbote, Chorus) by Richard Strauss, Katharina Magiera, Frankfurter Opern- und Museumsorchester, Sabine Hogrefe, Chor der Oper Frankfurt, Dietrich Volle, Sebastian Weigle having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Die Frau ohne Schatten, Op. 65, TrV 234, Act III: Act III: Auf, geh nach oben, Mann, der Weg ist frei! (Stimmen von oben, Frau, Geisterbote, Chorus) Key

This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

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ISRC
DEU921596432
Label
L-M Records/RCA Records