Ethel Smyth, Annette-Barbara Vogel, Durval Cesetti's 'Violin Sonata in A Minor, Op. 7: II. Scherzo. Allegro grazioso' had a release date set for August 20, 2021. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Violin Sonata in A Minor, Op. 7: II. Scherzo. Allegro grazioso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 11 in First Ladies: Three Romantic Violin Sonatas by Annette-Barbara Vogel, Durval Cesetti. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Violin Sonata in A Minor, Op. 7: II. Scherzo. Allegro grazioso's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata in A Minor, Op. 7: II. Scherzo. Allegro grazioso by Ethel Smyth, Annette-Barbara Vogel, Durval Cesetti is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Dances: III. Minuet in A Minor | Ethel Smyth, Liana Serbescu | B♭ Minor | 1 | 3A | 196 BPM | ||
Suite for Three Cellos: II. Molto lento | Ferdinand Thieriot, Hamburg Chamber Players | D Minor | 1 | 7A | 105 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
8 Pieces, Op. 83: I. Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 78 BPM | ||
Lapsi, onnellisin mielin | Minna Erkkilä, SRK Instrumentaali, Aaron Ahola | B♭ Minor | 2 | 3A | 67 BPM | ||
Symphony No. 35 in D Major, K. 385 "Haffner": IV. Finale. Presto | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | D Major | 2 | 10B | 139 BPM | ||
Trio pour piano, violon et violoncelle en Mi bémol majeur, Op. 100, D.929.: III. Scherzando | Franz Schubert, Jean-Claude Pennetier, Régis Pasquier, Roland Pidoux | A♭ Major | 1 | 4B | 97 BPM | ||
Symphony No. 2, Op. 16 "The Four Temperaments": I. Allegro collerico | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | A♭ Major | 0 | 4B | 79 BPM | ||
Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 80 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM |