Violin Sonata in A Minor, Op. 7: II. Scherzo. Allegro grazioso
Ethel Smyth, Annette-Barbara Vogel, Durval Cesetti
First Ladies: Three Romantic Violin Sonatas
2:48 August 20, 2021
BPM
126
Key
A Minor
Camelot
8A

Embed

Share Link

Violin Sonata in A Minor, Op. 7: II. Scherzo. Allegro grazioso - Ethel Smyth, Annette-Barbara Vogel, Durval Cesetti Information

Acousticness
98%
Danceability
39%
Energy
13%
Instrumentalness
9%
Liveness
11%
Loudness
72%
Speechiness
5%
Valence
28%
Popularity
Loudness
-16.894 dB

Summary

Ethel Smyth, Annette-Barbara Vogel, Durval Cesetti's 'Violin Sonata in A Minor, Op. 7: II. Scherzo. Allegro grazioso' had a release date set for August 20, 2021. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Violin Sonata in A Minor, Op. 7: II. Scherzo. Allegro grazioso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 11 in First Ladies: Three Romantic Violin Sonatas by Annette-Barbara Vogel, Durval Cesetti. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Violin Sonata in A Minor, Op. 7: II. Scherzo. Allegro grazioso's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Violin Sonata in A Minor, Op. 7: II. Scherzo. Allegro grazioso BPM

The tempo marking of Violin Sonata in A Minor, Op. 7: II. Scherzo. Allegro grazioso by Ethel Smyth, Annette-Barbara Vogel, Durval Cesetti is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Violin Sonata in A Minor, Op. 7: II. Scherzo. Allegro grazioso Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
4 Dances: III. Minuet in A Minor by Ethel Smyth, Liana Serbescu4 Dances: III. Minuet in A MinorEthel Smyth, Liana SerbescuB♭ Minor13A196 BPM
Suite for Three Cellos: II. Molto lento by Ferdinand Thieriot, Hamburg Chamber PlayersSuite for Three Cellos: II. Molto lentoFerdinand Thieriot, Hamburg Chamber PlayersD Minor17A105 BPM
Symphony No.3 In C Minor, Op.78 Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagioCamille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James LevineA♭ Major14B118 BPM
8 Pieces, Op. 83: I. Andante by Max Bruch, Philon Trio8 Pieces, Op. 83: I. AndanteMax Bruch, Philon TrioF♯ Minor011A78 BPM
Lapsi, onnellisin mielin by Minna Erkkilä, SRK Instrumentaali, Aaron AholaLapsi, onnellisin mielinMinna Erkkilä, SRK Instrumentaali, Aaron AholaB♭ Minor23A67 BPM
Symphony No. 35 in D Major, K. 385 Symphony No. 35 in D Major, K. 385 "Haffner": IV. Finale. PrestoWolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo PeltokoskiD Major210B139 BPM
Trio pour piano, violon et violoncelle en Mi bémol majeur, Op. 100, D.929.: III. Scherzando by Franz Schubert, Jean-Claude Pennetier, Régis Pasquier, Roland PidouxTrio pour piano, violon et violoncelle en Mi bémol majeur, Op. 100, D.929.: III. ScherzandoFranz Schubert, Jean-Claude Pennetier, Régis Pasquier, Roland PidouxA♭ Major14B97 BPM
Symphony No. 2, Op. 16 Symphony No. 2, Op. 16 "The Four Temperaments": I. Allegro collericoCarl Nielsen, Danish National Symphony Orchestra, Fabio LuisiA♭ Major04B79 BPM
Medea (Medee) (Sung in Italian): Act II: Introduction by Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto GardelliMedea (Medee) (Sung in Italian): Act II: IntroductionLuigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto GardelliF Major17B80 BPM
25 Études faciles et progressives, Op. 100: No. 23, Retour by Franz Burgmüller, The Gerst Ensemble25 Études faciles et progressives, Op. 100: No. 23, RetourFranz Burgmüller, The Gerst EnsembleB♭ Major06B63 BPM
ISRC
GBJZY2101309
Label
L-M Records/RCA Records