Louis-Nicolas Clérambault, London Baroque's 'Sonata in G Major, "La Felicite": I. Lentement - Allegro - Lent' came out on April 1, 2005. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 33 in the song's album "Trio Sonata In 17th-Century France". In this album, this song's track order is #18. In terms of popularity, Sonata in G Major, "La Felicite": I. Lentement - Allegro - Lent is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata in G Major, "La Felicite": I. Lentement - Allegro - Lent by Louis-Nicolas Clérambault, London Baroque having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Descant Recorder, Strings, and Continuo in F: 1. Allegro | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | F Major | 1 | 7B | 127 BPM | ||
Suite in G Minor: Gigue | Marin Marais, London Baroque | F♯ Minor | 3 | 11A | 84 BPM | ||
Concerto for Flute and Oboe in G Major, FWV L:G8: I. Allegro | Johann Friedrich Fasch, Gunther Holler, Helmut Hucke, Cappella Coloniensis, Hans-Martin Linde | D♭ Major | 3 | 3B | 112 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Water Piece in D Major, HWV 341 (arr. for trumpet and orchestra): V. March | George Frideric Handel, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 1 | 3B | 131 BPM | ||
Concerto No 5 in G minor - Presto | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 1 | 11A | 83 BPM | ||
Trio Sonata in C Minor, FaWV N:c2: IV. Allegro | Johann Friedrich Fasch, London Baroque | B Minor | 2 | 10A | 115 BPM | ||
Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 0 | 1B | 129 BPM | ||
Sonata and Suite: Sonata No. 26 in A Major | Dietrich Becker, London Baroque | A♭ Major | 3 | 4B | 112 BPM | ||
Ground. Z. D222 | Henry Purcell, Richard Egarr | C Minor | 1 | 5A | 98 BPM |
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