"Concerto grosso in B flat, Op. 3, No. 2: 3. Allegro" by George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable was released on May 22, 2024. With Concerto grosso in B flat, Op. 3, No. 2: 3. Allegro being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 38 out of 96 in English Chamber Orchestra plays Vivaldi, Handel & Telemann by English Chamber Orchestra, Georg Philipp Telemann, Antonio Vivaldi, George Frideric Handel. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Concerto grosso in B flat, Op. 3, No. 2: 3. Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto grosso in B flat, Op. 3, No. 2: 3. Allegro by George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dances Wq. 189: Trio in G minor | Carl Philipp Emanuel Bach, Ensemble Eduard Melkus, Eduard Melkus | B♭ Major | 0 | 6B | 114 BPM | ||
Purcell: The Fairy Queen, Z. 629, Act II: Echo | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
6 Sonates meleese de pieces, Op. 2: III. Sonata in E Minor, "La Dherouville”: II. Allemanda. Andante | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A Minor | 0 | 8A | 129 BPM | ||
Violin Concerto in D Major, Op. 3, No. 1: III. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | A Major | 1 | 11B | 138 BPM | ||
Sinfonia Concertante in F Major: III. Allegro | Federigo Fiorillo, Julia Girdwood, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 139 BPM | ||
Su le sponde del Tebro: Sinfonia | Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 130 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Kommer intet Mollberg | Bellman Concerto Ensemble, Tomas Blank In Harmony | A Minor | 1 | 8A | 79 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: V. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM |
Section: 0.6273772716522217
End: 0.6313216686248779