- BPM
- 81
- Key
- B Minor
- Camelot
- 10A
Harmonia artificioso - ariosa: Partia VII in C Minor, Praeludium - Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon Information
- Acousticness
- 88%
- Danceability
- 26%
- Energy
- 13%
- Instrumentalness
- 34%
- Liveness
- 34%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 16%
- Popularity
- 9%
- Loudness
- -25.491 dB
Summary
"Harmonia artificioso - ariosa: Partia VII in C Minor, Praeludium" by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon was released on 1994. The duration of Harmonia artificioso - ariosa: Partia VII in C Minor, Praeludium is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Harmonia artificioso - ariosa: Partia VII in C Minor, Praeludium's duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra. Harmonia artificioso - ariosa: Partia VII in C Minor, Praeludium is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Harmonia artificioso - ariosa: Partia VII in C Minor, Praeludium BPM
The tempo marking of Harmonia artificioso - ariosa: Partia VII in C Minor, Praeludium by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Harmonia artificioso - ariosa: Partia VII in C Minor, Praeludium Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mensa sonora / PARS II (In F Major): 3. Sarabanda (I) | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 100 BPM | |
 | Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | |
 | Viola da Gamba Suite in D Major: IV. Andante | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 138 BPM | |
 | Trio Sonata for 2 Violins and Continuo in G, Op.5, No.4, HWV 399: 3. Passacaille | George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 2 | 11B | 115 BPM | |
 | Scene 1 | Francesca Caccini, Ferdinando Saracinelli, Ensemble Renaissance | F Major | 1 | 7B | 133 BPM | |
 | Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | |
 | Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | |
 | Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | |
 | Telemann: Concerto for four violins - Allegro | Charivari Agréable | F♯ Major | 1 | 2B | 131 BPM | |
 | De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale" | Robert de Visée, Jean Rondeau | D♭ Minor | 2 | 12A | 125 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5721607208251953
End: 0.5767912864685059